via http://www.mixcloud.com/ampsoul/ampsoul-flava-of-the-month-mix/?utm_source=widget&utm_medium=web&utm_campaign=flash_links&utm_term=title

BOLD ITALIC 2010 – Lectures.

David Bennewith (NL/NZ)
http://colophon.info/

John Morgan (GB)
http://www.morganstudio.co.uk/

Walter Nikkels (NL)
http://nl.wikipedia.org/wiki/Walter_Nikkels

Samuel Nyholm & Olga Persson (SE)
http://www.sany.dk

Mirko Borsche (DE)
http://mirkoborsche.com/projects/sweetest-pain

-

BOLD ITALIC 2010
Sint-Lucas Visual Arts Ghent presents an entire day related to graphic design with lectures by all the designers mentioned above.

Thursday- March 4th 2010 – 10:30-17:00
Kunstencentrum Vooruit, Theaterzaal
Sint-Pietersnieuwstraat 23, 9000 Gent

Admission: free
Booking: sabine.demeester@kunst.sintlucas.wenk.be
tel: +32 9 267 96 65 (Sabine de Meester)

via http://www.bolditalic.be/

“ Typography Summer School is a meeting place for graduates of graphic design, wanting to bridge the gap between student and professional and learn more about typography. The school will bring together leading practitioners and participants to study, exchange ideas, and investigate the discipline.”

via http://typographysummerschool.org/

via http://kitsunenoir.com/

via http://counter-print.co.uk/product.php?pid=437

via http://www.sheaff-ephemera.com/list/type_pictures.html

via http://www.sheaff-ephemera.com/list/extreme_typography_album/hubbard_imboden.html

“iwantyoutocloseyoureyesandenvisionthemostbeatufulplaceintheworld
ifyouinthehoodintheghettostreetcornercomeonthisjourney…”

listen http://dublabmedia1.net/audio/podcast/02_12_10_kidkanevil_mix.mp3

playlist http://dublab.com/archive/kidkanevil-comeonthisjourney%E2%80%A6thebestjourney-02-12-10/

via http://www.flickr.com/photos/86094362@N00/3760194231/in/photostream/

via http://www.lullatone.com/

via http://www.bitique.co.uk/

via http://www.stefanglerum.com/#249784/Dog-Day-Disco

via http://alexkopps.com/index.php?/prints-and-edit/small-edition-screen-print-/

via http://alexkopps.com/index.php?/prints-and-edit/emmost-likelyem-zine/

“The range of expression in Family Matters is similar to that of a young person coming to terms with his own family history – harsh criticism, misty-eyed sentimentality, perverse parody, and nuanced understanding all abound, though not necessarily in that order.”

via http://www.cphomedecor.com/brian/blog/?p=136

via http://highsnobiety.com/columns/sixpack/

via http://www.maureenpaley.com/maureenpaley.php?color=yellow&element=619&id_cache=1-7

via http://julia.uk.com/en/projects/modo/05.html

via http://www.21bis.nl/www/project/16

via http://www.hoaxhoaxhoax.com/new-black/

via http://www.from-the-hill.nl/?p=445

via http://www.svenstuckenschmidt.de/

via http://friendsoftype.com/

via http://www.recollection.com.au/

via http://www.voidwreck.com/

via http://www.tfsimon.com/ludmila-jirincova.html

via http://www.galerie-weigand.de/pages/en/artists/schulz/show_1_3_10.htm

via http://www.thecompanyofpeople.com/main.php?page=jean-philippebretin

via http://www.ivy-style.com/category/1960s

“Type. A Visual History of Typefaces and Graphic Styles, Vol. 1 Edited by Cees W. de Jong, Alston W. Purvis, and Jan Tholenaar Taschen just released this awesome book covering pre-20th century typography from 1628-1900. Type nerds all over should be drooling. via Taschen”

via http://www.taschen.com/pages/en/catalogue/design/all/05088/facts.type_a_visual_history_of_typefaces_graphic_styles_1628_1900.htm

mix : http://www.mondayjazz.com/mixes/mj112_ellipse_by_h-sik.mp3

via http://myspace.com/hsikmusic

BASTER (Bas Koopmans 1981, NL) is a very busy man. He has been like this since the first time we met, working on his own practise years before earning his Bachelor degree in Graphic Design (Utrecht School of the Arts, 2004).

via http://www.baster.nl  (new)

via http://www.anothershop.org/

via http://www.schrank8.blogspot.com/

Norman McLaren – Dots (1940)

Norman McLaren’s early experiments with film and animation included actually scratching and painting the film stock itself, as he did not have ready access to a camera. His earliest extant film, Seven Till Five (1933), a “day in the life of an art school” was influenced by Eisenstein and displays a strongly formalist attitude.

http://en.wikipedia.org/wiki/Norman_McLaren

via http://www.bertjanpot.nl/

via http://cypher13.com/

via http://www.sjoerdknibbeler.com/projects/ertussenuit/

via http://www.ruizcompany.com/index.php?/work/chocolat-factory/

via http://www.madebysawdust.co.uk/

via http://warp.net/records/flying-lotus/new-album-cosmogramma-released-3rd-4th-may-2010#1

via http://www.newfolder.eu/#

via http://www.lundgrenlindqvist.se/anton-kristiansson/

via http://www.ivovanderbent.nl

via http://www.tinaenghoff.com/

via http://www.raphaeldallaporta.com

FOTODOK will begin the new year with the international
group exhibition (In)Visible, with work by photographers
Ivo van der Bent (The Netherlands), Raphaël
Dallaporta (France), Tina Enghoff (Denmark), Charles
Fréger (France) and Eva Hofman (The Netherlands).

Photography is synonymous with framing the world:
what is and is not in view determines our perception of
a photo. (In)Visible is not just about what falls outside
the frame, but also about what is absent and at the
same time instinctively very present in the image. As a
viewer you have to look carefully to find out what these
photos are actually about.

Adress: Van Asch van Wijckskade 28, Utrecht

via http://www.fotodok.org/

Terence Haggerty uses the “formal vocabulary of Minimal and Op Art.” Smooth 2D compositions employ trompe l’oeil effects to bend and curve walls.

Exhibiting at : Esemplasticism: The Truth is a Compromise
Opening 29 January 19.00h – 0.00h
Address: Spandauerstrasse 2, 10178 Berlin

http://www.ccnoa.org/Haggerty
http://www.tag004.nl/
http://www.clubtransmediale.de/