via http://www.facebook.com/update_security_info.php?wizard=1#!/photo.php?fbid=10150091645284362&set=t.100000916512627

“ROBERT MONTGOMERY WORKS IN A POETIC AND MELANCHOLIC POST-SITUATIONIST TRADITION, HE MAKES BILLBOARD PIECES, RECYCLED SUNLIGHT PIECES AND DRAWINGS”
via http://www.robertmontgomery.org/robertmontgomery.org/1.html

Line-up
Eklin *live* – http://alturl.com/edba5
Safe Swim (fort grofusch) *live* – http://alturl.com/hc4fn
tomlaan (Stripewaves) *live* – http://alturl.com/iy5am
Arto Rohde *dj set*
Friday, February 4 at 10:00pm
22.00-04.00 uur – 5 euro
club 330live
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”
On View
Flipbooks from Private Collections of Jan van den Dobbelsteen & Daniëlle Lemaire (Lise Duclaux, Richard Lemaire, André Pielage, Edward Muybridge), Hans Walgenbach (Douglas Gordon and Gilbert & George) and IFFR Editions from 1998 by Evelien van Vught.
Exhibition dates 2 7 – 2 9 January & 3- 5 February 2011
From 1 till 5 pm or by appointment
PrintRoom takes part in the XL programme of the filmfestival and shows flipbooks by international artists.
“

“Hello everyone, A Schrank8 filled with electrifying work of graphic designer / print maker Johann Kauth opens this Friday. You are welcome to join us for the opening.
Home Gallery Schrank8 presents JOHANN KAUTH
Wagenaarstraat 331, Amsterdam (East),
Opening: Friday January 21st, 17.00-20.00 hrs.
After the opening Schrank8 will be open by appointment until February 11th. www.schrank8.blogspot.com
‘Schrank8 presents Johann Kauth’ is simultaneously on display at Wattis Art Centre, San Francisco / January 21th – February 5th 2011. www.wattis.org ”
via http://schrank8.blogspot.com/2010/12/johann-kaut-invitation-san-francisco.html


“Barbara Kruger’s Circus installation covers the rotunda of the Schirn Kunsthalle in Frankfurt through January 30. With her unmistakable aesthetic and poignant use of language, Kruger interferes with the traditional manner in which information is transmitted through the museum institution. Her commitment to dismantling clichés and pervasive stereotypes through the use of monumental text makes her work both politically relevant and visually arresting.”





“Crammed with opinions on internships, education cuts and institutional critique; the SOS Issue – inspired by its own submissions – has decided to reveal the means of its making. This issue includes key influences upon the magazine, and an article which exposes its own editorial process. Alongside interviews with designer James Langdon and Amelia Johnstone, illustrator/founder of ARC Magazine”




























