Traverse the silver grid
This sequence of publications is the reslult of weekly sessions between the artists Lotte Geeven & Semâ Bekirovic.
Editions Week One, Week Two, Week Three, Week Four & Week Five are online via http://www.galeriewest.nl/publications
images from edition Week Five. via http://www.galeriewest.nl/information/publications/Lotte_Geeven/the_silver_grid_week_5/The_Silver_Grid-week_5.pdf
via http://www.alexandranavratil.com/projects/Portrait-over-30m
http://www.juliengrossmann.com/
via http://www.severalprojects.com/
EXPO Tangible Time at NEST
Tangible Time brings artists together who work with the concept of time and make it tangible in a visual manner. The exhibited works go past the physical definition of time: time is streched, piled, fragmented, reconstructed or shown in relation to distance.
Guest curator: Danielle van Zuijlen.
David Claerbout
http://www.davidclaerbout.com/Site_eng/Works.html
Nathalie De Briey
http://www.nathaliedebriey.com/Site/HOME.html
Robbrecht Desmet
http://www.robbrechtdesmet.be/
Victoria Fu
http://www.victoriafu.com/
Julien Grossmann
http://www.juliengrossmann.com/
Katja Mater
http://www.katjamater.nl/
Alexandra Navratil
http://www.alexandranavratil.com/projects/Sample-Frames
Noor Nuyten
http://noornuyten.nl/
Magdalena Pilko
http://www.haagsekunstenaars.nl/cv.php?id=75274
Petra Stavast
http://www.petrastavast.com/?mpl_action=rnd
Joe Winter
http://www.severalprojects.com/
“Het mini | boekje met werk van Louis Reith, Perongeluk en Graphic Surgery”
via https://www.facebook.com/photo.php?fbid=148510525248070&set=pu.113277375438052&type=1&theater
The Significant Savages by Gregoire Pujade-Lauraine
“In this age in which what we call ‘social networking’ has probably become the main vehicle for photography, The Significant Savages presents a foray into the way the ‘profile image’ is used to sum up one’s personality, particularily when it avoids showing one’s face or body.
The book exploits an arbitrary selection of Facebook profile images in which alternative artefacts are represented instead of the person: seascapes, forests; dogs and horses and cats; cars, bikes or fancy boats; cities, socks and shells, galaxies. What we desire or strive for, what we own, the places we have been or the ones we have been taught to love, our anthropomorphic pets —they all make up for our wish to conceal what we look like, while satisfying our need to exhibit our subjectivity.
However the uniqueness of these defining photographs dilutes into a mix of stock images and bad clichés reproduced endlessly, inspired by advertising, travel agencies and mass media. These pictures, supposed to be identifying, all end up being somewhat identical.”
via http://www.gregoirepujadelauraine.com/index.php?/projects/about/2/